Two of the chairs are going to be recovered by their in-shed upholsterer, in suitably drab colours. I was assured that he is the best living upholsterer; he certainly must be the coldest living upholsterer – I have rarely been so cold in my life as I was after spending an hour rooting around that place! My hands and feet were frozen numb and I am still working hard to fight off a cold as a result. However, three desks! Two of them will be cut down to size and then I have to decide whether to paint them grey as the model, or to leave them in their existing livery of dark brown wood-effect veneer.
I had a fitting with the actor playing Richard Roma. He tried on a few sharp 80’s suits and although he looked really good in a silver grey double breasted one from stock, we decided to follow the costume drawing and have a light stone coloured suit made for him in the same style .I went off to Leon’s fabric shop in Chorlton for the suit material, then to John Lewis for some posh lining to finish the jacket.
I went into the rehearsal room to look at the arrangement of furniture in the office set; it looks good, but I need to be careful not to choose things which are too big, as the space is quite limited.
Before reading this ‘Production Blog’, and despite regular trips to the theatre, I have never given much thought to where all the props and furniture come from. I suppose I naively assumed that the theatre itself would have a sufficient supply – I would never have imagined that a set designer would be out searching for desks in such chilly conditions!
ReplyDeleteIt is certainly interesting to hear how, even once a model has been created, the designer can still be making choices regarding what the furniture and props will actually look like. I am looking forward to coming and seeing the production to see which scheme you decided on!
Fr. James Charles